End of the World
My bedroom window faces west. When you look out, you can see the giant warehouse, the old Sears building converted into condo lofts. You can see the big glowing red Metro signs, beckoning you with the promise of store-bought bakery smells, 24 hours of bright fluorescent lighting, a once fresh-obsessed supermarket cozily sitting under the lofts. Sometimes, the homeless man stands outside in front, with a few blackened copies of a newspaper in hand, and chants, “Support the homeless, buy a paper.” Sometimes in the heat of summer, he would whistle a one line tune, over and over again, and you can hear it slicing through the humidity, into my room.
There used to be a dog across away in the mixed government housing, and he'd bark into the night and early morning, keeping you from falling asleep and waking you from your dreams. It's probably black, big like a German Shepherd, and chained to a fence of one of the garden units facing into the inner courtyard. You might have thought at first that he was just trying to get inside, but after one hot and sweaty July, you realize that maybe he was just lonely.
The street is not a long street, it just goes from nearly my building, over several large city blocks, cutting through Ryerson University, to end at Yonge St., a street that was once the longest street in the world. You can't see it from my window, but the street passes a small concrete pond, where ducks would swim and seagulls would hang out. When it becomes cold enough, the water freezes to become an ice rink, tended by the city Zamboni, and kids and students would descend upon the ice, sometimes a late night hockey game or usually early morning couples on an outing. In the spring, in between when it's a rink and a pond, the water is completely drained. Skateboarders would take the two or three day drought to practise their aerials, attempts to float in the air, or slides on the coping of the pool, their decks leaving dark grey scars on the concrete. You don't know how they know when's the drought, and you only realize it when you can hear their scratches and bumps and grinds as you approach the pond.
Around the block at the end of the street, soaring billboards and jumbo video screens flash their lights, pictures and movable type, electronic sentinels watching over you, as you travel across the pedestrian scramble. Fleets of cars move slowly in all directions, tourists loiter at the fountains in the square, buskers sing and dance amongst you and me. There is always a light hum in the air, constantly surrounding you, faintly following you, fading in the scent of waffles being made at the waffle stand. When turning back up the street, it's gone, disappearing into the trees that line the street, perhaps camouflaged by the rustle of leaves falling and the quiet footsteps of students criss crossing to their classes.
Once you pass the concrete pond, the clock tower overlooking the statue of the university founder, pass the student centre, you can see the glow of Metro signs approach. Sometimes, the neighbourhood firemen park their fire truck in front, waiting for the one inside to finish picking up their dinner groceries. In a couple of hundred metres, you will pass them, and you will be at the end of the street. From there you can see my bedroom window.
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